{"id":2351,"date":"2014-09-02T12:00:05","date_gmt":"2014-09-02T19:00:05","guid":{"rendered":"http:\/\/www.ealasaid.com\/main\/?p=2351"},"modified":"2014-09-02T12:00:05","modified_gmt":"2014-09-02T19:00:05","slug":"as-above-so-below","status":"publish","type":"post","link":"https:\/\/www.ealasaid.com\/main\/2014\/09\/02\/as-above-so-below\/","title":{"rendered":"As Above, So Below"},"content":{"rendered":"

\"As<\/a>Directed by: John Eric Dowdle
\nStarring: Perdita Weeks, Ben Feldman, Edwin Hodge, Fran\u00e7ois Civil, Marion Lambert, Ali Marhyar
\nRated: R for bloody violence\/terror, and language throughout<\/p>\n

So many movies in the last few years have focused on using visceral horror and supremely disgusting special effects to be scary that it\u2019s refreshing to find one that not only avoids those for the most part but also avoids the \u201ccreepy ghost moving suddenly\u201d style of jump scare borrowed from Asian horror cinema. \u201cAs Above, So Below\u201d aims to be more of a \u201cBlair Witch Project\u201d style scary movie: it avoids expensive gross makeup in favor of creeping paranoia and dread with a slowly increasing sense of doom. It\u2019s not a terribly good film, but it goes through the familiar paces with determination.<\/p>\n

All of the shots are from cameras held by the characters: Benji (Edwin Hodge), the documentary cameraman; Scarlett (Perdita Weeks), the subject of his documentary; and other secondary characters whose headlamps are equipped with small portable cameras to add more angles. The whole first-person horror movie thing doesn\u2019t always work, but it adds to the sense of claustrophobia that pervades the film as soon as the small group heads underground.<\/p>\n

The story is pretty standard horror movie fare: ambitious archaeologist leads small group into an unusual and dangerous location in pursuit of possibly non-existant antiquities. In this case, Scarlett believes she\u2019s finally finished her father\u2019s work and found the true location of the Philosopher\u2019s Stone (a substance alchemists believed could transmute lead into gold, give eternal life, etc.). The location is deep in the catacombs under Paris, which are famous for holding millions of peoples\u2019 bones \u2013 excavated when cemetery overcrowding became untenable. Scarlett finds an urban explorer, Papillon (Fran\u00e7ois Civil), and hires him and his small group of friends to help Benji and her find the Stone. Add in nervous language expert George (Ben Feldman) and you\u2019ve got a pretty standard collection of protagonists.<\/p>\n

Of course, things don\u2019t go as planned. First there are ordinary, mundane issues like the police, then a party member getting stuck in a small tunnel and panicking (this is emphatically not a movie for the claustrophobic unless you like having that phobia triggered). Next come the mystical problems: straight corridors that lead in circles, strange sounds and items showing up without making sense, and increasingly surreal creatures. By them time our heroes reach a tunnel whose entry bears the same warning sign as the gates of Hell are reputed to display, it\u2019s not that much of a stretch to believe that they just might be headed downward into the diabolical.<\/p>\n

The film has a definite low-budget feel to it, which both helps and hinders it. It\u2019s low on special-effects, so the one effects-heavy moment delivers a real punch, but it also relies so heavily on cameras cutting out during action sequences that that it\u2019s often hard to tell what\u2019s happening, let alone get a good look at the creature effects.<\/p>\n

In a lot of ways, \u201cAs Above, So Below\u201d is a standard horror movie. It\u2019s got some Hermeticism and Alchemy mixed in for flavor, but not enough to make it worth watching for devout practitioners of those fields. What it is good for is acting as an appetizer to the course of scary movies coming out this fall. If you\u2019d like to flex your horror-watching muscles with a new but still familiar story, it will hit the spot. If you\u2019re looking for something groundbreaking or unusual, stay home and whet your scary movie appetite with an old favorite.<\/p>\n","protected":false},"excerpt":{"rendered":"

Directed by: John Eric Dowdle Starring: Perdita Weeks, Ben Feldman, Edwin Hodge, Fran\u00e7ois Civil, Marion Lambert, Ali Marhyar Rated: R for bloody violence\/terror, and language throughout So many movies in the last few years have focused on using visceral horror and supremely disgusting special effects to be scary that it\u2019s refreshing to find one that not only avoids those for the most part but also avoids the \u201ccreepy ghost moving suddenly\u201d style of jump scare borrowed from Asian horror cinema. \u201cAs Above, So Below\u201d aims to be more of a \u201cBlair Witch Project\u201d style scary movie: it avoids expensive gross makeup in favor of creeping paranoia and dread with a slowly increasing sense of doom. It\u2019s not a terribly good film, but it goes through the familiar paces with determination. All of the shots are from cameras held by the characters: Benji (Edwin Hodge), the documentary cameraman; Scarlett (Perdita Weeks), the subject of his documentary;<\/p>\n

Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[76,92],"class_list":["post-2351","post","type-post","status-publish","format-standard","hentry","category-movie-reviews","tag-horror","tag-rated-r"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2oSX4-BV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ealasaid.com\/main\/wp-json\/wp\/v2\/posts\/2351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ealasaid.com\/main\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ealasaid.com\/main\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ealasaid.com\/main\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ealasaid.com\/main\/wp-json\/wp\/v2\/comments?post=2351"}],"version-history":[{"count":1,"href":"https:\/\/www.ealasaid.com\/main\/wp-json\/wp\/v2\/posts\/2351\/revisions"}],"predecessor-version":[{"id":2353,"href":"https:\/\/www.ealasaid.com\/main\/wp-json\/wp\/v2\/posts\/2351\/revisions\/2353"}],"wp:attachment":[{"href":"https:\/\/www.ealasaid.com\/main\/wp-json\/wp\/v2\/media?parent=2351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ealasaid.com\/main\/wp-json\/wp\/v2\/categories?post=2351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ealasaid.com\/main\/wp-json\/wp\/v2\/tags?post=2351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}